Appearance vs. Reality in Henry IV :: Henry IV Henry V Essays

App spindleance vs. Reality in Henry IV Shakespeares play Henry IV begins with a tabby ( male monarch Henry) beginning a pilgrimage after killing King Richard II. Henry believes that by gaining the invest of England he has done an honourable deed, yet he admits that the fighting and gore could continue, A. . . ill sheathed knife . . . (I.1.17). He, also, admits that his own son, Prince Hal, is not honourable exuberant to occupy the throne, Asee riot and dishonour stain the brow of my young chivvy (I.1.17). Shakespeare continues the topos of honour and redemption into Act three, scene two, where he uses elements much(prenominal) as anaphora, topos, imagery and rhetoric in a meeting between King Henry and Prince Hal that is both crucial and climatic to the overall structure of the radical of honour. At the beginning of Act III sc. ii, Shakespeare clears all other characters from the map to allow King Henry=s first meeting, case to face with Prince Hal, to be f oc apply and intense. King Henry is the first to speak and sets a sombre tone as he begins to unmask himself to his son A. . . virtually displeasing service I have done (3.2.5). As sanitary Shakespeare allows King Henry to bring Prince Hal=s mask to attention by using anaphora Could such inordinate and low desires, Such poor, such bare, such lewd, such mean attempt, such barren pleasures, rude ordination as there art matched withal . . . (3.2.12-15). The word such is used to emphasise his Henry displeasure of Hal=s friends and the image they portray around him causing Hal in the eyes of Henry to lose his princely image. Shakespeare, then allows Prince Hal to fight down himself to his fathers interpretations of his (Hal) character. Again, there is a contrast between what King Henry perceives and what is reality. The king is obviously distressed over Hal=s choice of friends and how they affect this Princely image. Hal on the other hand asks for Apardon on my true submission (3.2.27), claiming that such people (friends) tell stories that may not always be true Aaft the ear of greatness must hear (3.