Catch-22 The Deft Touch of Catch 22: Hellers Harmonious consent of Comedy and Tragedy Since the dawn of literature and drama, comedy and casualty have always been partitioned into separate genres. Certainly most tragedies had comedic moments, and thence far the zaniest comedies were at times serious. However, even the development of utter tragicomedies unexpended the division more or less intact. integrate a total comedy and a total disaster into a holistic union that not only continue both(prenominal) features, but also blended them into a new and agree entity remained elusive. That is, until Catch-22.
Using his unique style and structure, Joseph Heller masterfully manages to interlay wittiness and terror, comedy and tragedy, and reveals in the process the perversions of the human character and of floor show gone mad. The first stroke of Hellers deft touch is his insane asylum of outrageous characters, acting outrageously. From the first chapter, we are presented with a batch of unbelievable ...If you want to get a full essay, club it on our website:
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